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Dionysus, god of wine; Hephaestus, god of forge and sculpture; Poseidon, god of the sea, one of the big three; Zeus, god of the sky and lightning, one of the big three; Hera, goddess of marriage, family, women, and childbirth, queen of the gods, wife of Zeus; Hades, god of the Underworld, one of the big three; Demeter, goddess of agriculture
Hades (/ ˈ h eɪ d iː z /; Ancient Greek: ᾍδης, romanized: Hā́idēs, Attic Greek: [háːi̯dεːs], later [háːdεːs]), in the ancient Greek religion and mythology, is the god of the dead and the king of the underworld, with which his name became synonymous. [2]
In Greek mythology, the underworld or Hades (Ancient Greek: ᾍδης, romanized: Háidēs) is a distinct realm (one of the three realms that make up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence ( psyche ) is separated from the corpse and ...
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
In Greek mythology, Geras / ˈ dʒ ɪər ə s / (Ancient Greek: Γῆρας, romanized: Gễras), also written Gēras, was the god of old age. He was depicted as a tiny, shriveled old man. Gēras's opposite was Hebe, the goddess of youth. In Latin, he is referred to as Senectus. [3]
Hephaestus (UK: / h ɪ ˈ f iː s t ə s / hif-EE-stəs, US: / h ɪ ˈ f ɛ s t ə s / hif-EST-əs; eight spellings; Ancient Greek: Ἥφαιστος, romanized: Hḗphaistos) is the Greek god of artisans, blacksmiths, carpenters, craftsmen, fire, metallurgy, metalworking, sculpture and volcanoes. [1] Hephaestus's Roman counterpart is Vulcan.
In Greek mythology, Pygmalion (/ p ɪ ɡ ˈ m eɪ l i ən /; Ancient Greek: Πυγμαλίων Pugmalíōn, gen.: Πυγμαλίωνος) was a legendary figure of Cyprus. He is most familiar from Ovid's narrative poem Metamorphoses, in which Pygmalion was a sculptor who fell in love with a statue he had carved.
The Group of Aphrodite, Pan and Eros (Greek: Αφροδίτη, Παν και Έρως) is an ancient marble Greek sculpture of the first century BC depicting the goat-legged god Pan trying to woo Aphrodite, the goddess of love and desire, unsuccessfully.