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Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful.
However, Japanese women may take steps to make themselves conventionally unattractive, as Japanese men may be intimidated by women who are 'too beautiful'. One example of a modern beauty ideal among Japanese women is yaeba /八重歯 ("double tooth"), which is the state of having crooked fang-like teeth. [ 4 ]
See also: Japanese art, Japanese culture, Zen, Japanese values. Pages in category "Japanese aesthetics" The following 34 pages are in this category, out of 34 total.
Shibui (渋い) (adjective), shibumi (渋み) (subjective noun), or shibusa (渋さ) (objective noun) are Japanese words that refer to a particular aesthetic of simple, subtle, and unobtrusive beauty. [1] Like other Japanese aesthetics terms, such as iki and wabi-sabi, shibui can apply to a wide variety of subjects, not just art or fashion. [2]
Traditional Japanese Aesthetics are forms of beauty in Japanese culture that derive from the earliest centuries. At least over two-hundred years ago. Some of these early aesthetics make up the Japanese aesthetic as a whole: Syncretic Buddhist Art, Wabi-Sabi, Miyabi, Shibui, and Jo-ha-Kyu.
The term iki is commonly used in both conversation and writing, having had a lasting effect on the development and continuation of Japanese aesthetics in the modern day, despite not necessarily being considered exclusive of other categories of Japanese aesthetic concepts and ideals, such as wabi-sabi.
Women's hakama differ from men's in a variety of ways, most notably fabric design and method of tying. While men's hakama can be worn on both formal and informal occasions, women rarely wear hakama , except at graduation ceremonies and for traditional Japanese sports such as kyūdō , some branches of aikido and kendo . [ 8 ]
[19] This is the book that first introduced the term "wabi-sabi" into Western aesthetic discourse. Wabi-sabi concepts historically had extreme importance in the development of Western studio pottery; Bernard Leach (1887–1979) was deeply influenced by Japanese aesthetics and techniques, which is evident in his foundational book A Potter's Book.