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"Mirror Man" is a 1982 song by the British synth-pop group The Human League. It was released as a single in the UK on 12 November 1982 and peaked at number two in the UK Singles Chart . It was written jointly by lead singer Philip Oakey with keyboard players Jo Callis and Ian Burden , and produced by Martin Rushent .
Mirror Man (Captain Beefheart album) Mirror Man (David Thomas album) "Mirror Man" (Ella Henderson song) "Mirror Man" (The Human League song) "Mirror Man", a song by Prism from Armageddon "Mirror Man", a song by Talk Talk from The Party's Over; Mirror Man (character), a foe of Batman in DC Comics; Mirror Man, someone with mirrored-self ...
"Mirror Man" is a mid-tempo blues and funk [2] song whose lyrics discuss a selfish lover who puts him or herself before anyone else. Henderson revealed to the Official Charts Company that the song was written about "the most self-centred person I’ve ever met," and that she enjoys singing the tune due to its sassy attitude.
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Mirror Man is the fifth studio album by American band Captain Beefheart and his Magic Band, released in April 1971 by Buddah Records. It contains material that was recorded for the label in 1967 and originally intended for release as part of an abandoned project entitled It Comes to You in a Plain Brown Wrapper .
Mirror Man (The Human League song) is within the scope of WikiProject Yorkshire, an attempt to build a comprehensive and detailed guide to Yorkshire on Wikipedia. If you would like to participate, you can visit the project page , where you can join the project, see a list of open tasks, and join in discussions on the project's talk page .
Mirror Man (Demo) 1979 John Hall From the unreleased concept album envisioned by John Hall, "The Invincible Yang". Early version of the released song, with completely different lyrics. Nervous Breakdown (Demo) 1978 Mario Roccuzzo From the See Forever Eyes sessions. Later released on Big Black Sky. Night to Remember (Demo) 1979 Lindsay Mitchell
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...