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Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
[1] [2] [3] Her signature motifs include exteriors of Victorian houses, barns and waterscapes viewed through windows or sheer curtains, by which she explores the play of light, shadow, reflection and geometry across various surfaces. [4] [5] [6] Critic J. Bowyer Bell wrote of Dalton Brown's style, "her realist works are more than the sum of ...
Whether by directing the flow of natural light, embedding artificial light within objects or architecture, or by playing with light through the use of transparent, translucent or reflective materials, Light and Space artists make the spectator's experience of light and other sensory phenomena under specific conditions the focus of their work. [2]
A point source of light casts only a simple shadow, called an "umbra". For a non-point or "extended" source of light, the shadow is divided into the umbra, penumbra, and antumbra. The wider the light source, the more blurred the shadow becomes. If two penumbras overlap, the shadows appear to attract and merge. This is known as the shadow ...
Shadows, including both shadows with sharp edges and soft shadows with umbra and penumbra; Reflections in mirrors and smooth surfaces, as well as rough or rippled reflective surfaces; Refraction – the bending of light when it crosses a boundary between two transparent materials such as air and glass. The amount of bending varies with the ...
With the pinholes he fulfilled a fantasy of seeing them the way he had always dreamed of them looking. In 2013 he embarked on a series titled ShadowLife, in which he records shadows and reflections illuminated by the early morning light streaming through the windows of his house, continuing the exploration his life-long fascination with shadows ...
His drawings are now made directly on the earth using reeds, branches and other local materials. Since 1983, he has worked exclusively in and with nature, making ephemeral environmental site installations that incorporate reflections and shadows, shifting light, and changing seasons.
In architectural drawing, sciography is the study of shades and shadows cast by simple architectural forms on plane surfaces. In general sciography, the light source is imagined as the sun inclined at 45 degrees to both vertical plane and horizontal plane coming from left hand side. The resultant shadow is then drawn.