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The lowest classes in the Middle Ages did not have access to the same clothing as nobility. Poor men and women working in the fields or wet or muddy conditions often went barefoot. [69] Upper and middle-class women wore three garments and the third garment was either a surcoat, bliaut, or cotehardie. These were often lavish garments, depending ...
Both men's and women's clothing was trimmed with bands of decoration, variously embroidery, tablet-woven bands, or colourful borders woven into the fabric in the loom. [ 6 ] : 309–315 [ 7 ] The famous Anglo-Saxon opus anglicanum needlework was sought-after as far away as Rome.
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5. Ashelford, Jane. The Visual History of Costume: The Sixteenth Century. 1983 edition (ISBN 0-89676-076-6), 1994 reprint (ISBN 0-7134-6828-9). Edge, David: Arms and Armor of Medieval Knights: An Illustrated History of Weaponry in the Middle Ages.
A kirtle (sometimes called cotte, cotehardie) is a garment that was worn by men and women in the European Middle Ages.It eventually became a one-piece garment worn by women from the late Middle Ages into the Baroque period.
As in the previous centuries, two styles of dress existed side-by-side for men: a short (knee-length) costume deriving from a melding of the everyday dress of the later Roman Empire and the short tunics worn by the invading barbarians, and a long (ankle-length) costume descended from the clothing of the Roman upper classes and influenced by Byzantine dress.
Florentine particolored hose, c. 1470 Hose are any of various styles of men's clothing for the legs and lower body, worn from the Middle Ages through the 17th century, when the style fell out of use in favour of breeches and stockings.