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Temperance songs are those musical compositions that were sung and performed to promote the Temperance Movement from the 1840s to the 1920s. It was a distinct genre of American music . In the early 19th century, the yearly per capita consumption of alcohol in the US was as high as 3.9 gallons (14.8 liters) in the 1830s. [ 2 ]
"Chant à la lune", incidental music to Salammbô (1886) [6] Joseph Haydn; String Quartet in F minor, Op. 20 No. 5 [7] The Human Abstract "Digital Veil" (2011) [8] King Crimson "Red" (1974). [9] Nirvana "Oh, the Guilt" (1993) (verses) "Blandest" (1988) (verses) Procol Harum "Whaling Stories" on Procol Harum – Live In New York (April 1971 ...
"Come Home, Father" was first published in 1864. "Come Home, Father" (also known as "Poor Benny") is a temperance song written by Henry Clay Work in 1864.According to George Birdseye, a contemporary biographer of the time, the song was the "pioneer and pattern for all the many temperance pieces now in the market, not a few of which are very palpable imitations."
Racing is part of regular music as well. "Accelerando” and “stringendo” are terms used to indicate to the player that the piece is to pick up steam. Music that races can also quicken the pulse.
Nellie H. Bradley (c. 1838 – February 13, 1927) was an American writer of plays and songs in support of the temperance movement. She published her songs under the pen name Stella or Stella of Washington. She was the daughter of Henry Harper Hazard and Harriet Amanda Bibb Hazard.
The most widely known example of this is the use of equal temperament to address problems of older temperaments, allowing for consistent tuning of keyboard and fretted instruments and enabling musical composition in, and modulation among, the various keys. [citation needed]
Temperance was seen as a feminine, religious and moral duty, and when it was achieved, it was also seen as a way to gain familial and domestic security as well as salvation in a religious sense. [4]: 47 Indeed, scholar Ruth Bordin stated that the temperance movement was "the foremost example of American feminism". [107]
In the 19th century, the nonconformist and temperance movements were strong: these frowned on dancing and music, encouraged the demise of many customs, but fostered the choral and brass band traditions. Some traditional tunes were used for hymns and carols.