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A super-cardioid microphone is similar to a hyper-cardioid, except there is more front pickup and less rear pickup. It is produced with about a 5:3 ratio, with nulls at 126.9°. This ratio maximizes the front-back ratio; the energy ratio between front and rear radiation. [50] [51] The sub-cardioid microphone has no null points. It is produced ...
The Shure SM58 is a professional cardioid dynamic microphone, commonly used in live vocal applications. Produced since 1966 by Shure Incorporated, it has built a reputation among musicians for its durability and sound, and is still the industry standard for live vocal performance microphones.
A cardioid microphone exhibits an acoustic pickup pattern that, when graphed in two dimensions, resembles a cardioid (any 2d plane containing the 3d straight line of the microphone body). In three dimensions, the cardioid is shaped like an apple centred around the microphone which is the "stalk" of the apple.
The cardioid pickup pattern of the microphone reduces the pickup of unwanted background sound and the generation of acoustic feedback. SM57s have also been a staple when reinforcing the sound from guitar amplifiers. In a more unconventional fashion, the SM57 has been favored by some as a vocal mic, both live and in the studio.
Shure SM7B microphone used in an interview with Marius Bear The Shure SM7 is a professional cardioid dynamic microphone , commonly used in broadcasting applications since 1973. Designed by Shure , it has been described as an "iconic" industry standard microphone for its focused, directional sound and its widespread adoption in radio, television ...
Neumann U 87 with shock mount. Introduced in 1967 as the solid-state successor to the U 67, [4] [5] [1] Neumann introduced the U 87 alongside the KM 86, KM 84, and KM 83 as part of the company's first 'FET 80' series of microphones that utilized use solid-state FET electronics that didn't require separate power supplies or multi-pin power cables and allowed the mics to be made smaller. [6]