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Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato, and staccato picking that influenced many later electric guitar blues players.
A Gibson Lucille model semi-acoustic guitar, unique for having no f-holes. Lucille is the name American blues musician B. B. King (1925–2015) gave to his guitars. They were usually black Gibson guitars similar to the ES-330 or ES-355, and Gibson introduced a B.B. King custom model in 1980, based upon the latter.
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King.It was recorded on November 21, 1964, at the Regal Theater in Chicago.The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone ' s 2003 edition of the 500 Greatest Albums of All Time list, [6] before dropping to number 299 in a 2020 ...
Lucille is the fifteenth album by blues artist B. B. King. It is named for his famous succession of Gibson guitars, currently the Signature ES-355 . Professional ratings
Blues on the Bayou is the thirty sixth studio album by B.B. King, released in 1998. [1]In the CD liner notes, B.B. King writes: "Of the many records Lucille and I have had the pleasure of recording over the years, this one is especially close to my heart.
Indianola Mississippi Seeds is B. B. King's eighteenth studio album. It was released in October 1970 on ABC Records on LP and May 1989 on MCA Records on CD.On this album B. B. King mixed elements of blues and rock music.
Live in Cook County Jail is a 1971 live album by American blues musician B.B. King, recorded on September 10, 1970, in Cook County Jail in Chicago.Agreeing to a request by jail warden Winston Moore, King and his band performed for an audience of 2,117 prisoners, most of whom were young black men.
King's version is a slow (65 beats per minute) [5] twelve-bar blues notated in 12/8 time in the key of C. [10] Blues historian Robert Palmer sees King's guitar work on the song as showing his T-Bone Walker influences, "though his tone was bigger and rounder and his phrasing somewhat heavier". [11]