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In Peter S. Wells's 2008 book, Barbarians to Angels: The Dark Ages Reconsidered, he writes, "I have tried to show that far from being a period of cultural bleakness and unmitigated violence, the centuries (5th - 9th) known popularly as the Dark Ages were a time of dynamic development, cultural creativity, and long-distance networking". [55]
Dark Ages (historiography), the use of the term Dark Ages by historians and lay people Early Middle Ages (5th–10th centuries), the centuries after the fall of the Western Roman Empire Saeculum obscurum ("dark age/century"), a period in the history of the papacy during the first two-thirds of the 10th century
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
The Early Middle Ages (or early medieval period), sometimes controversially referred to as the Dark Ages, is typically regarded by historians as lasting from the late 5th to the 10th century. [ note 1 ] They marked the start of the Middle Ages of European history , following the decline of the Western Roman Empire , and preceding the High ...
The period ends with the beginning of the Age of Revolutions. Contemporary history – History within living memory. It shifts forward with the generations, and today is the span of historic events from approximately 1945 that are immediately relevant to the present time.
Date ranges of classical music eras are therefore somewhat arbitrary, and are only intended as approximate guides. Scholars of music history do not agree on the start and end dates, and in many cases disagree whether particular years should be chosen at all. The 20th century has exact dates, but is strictly a calendar based unit of time.
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A German theorist of a slightly later period, Franco of Cologne, was the first to describe a system of notation in which differently shaped notes have entirely different rhythmic values (in the Ars cantus mensurabilis, c. 1280), an innovation which had a massive impact on the subsequent history of European music. Most of the surviving notated ...