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  2. Phrygian dominant scale - Wikipedia

    en.wikipedia.org/wiki/Phrygian_dominant_scale

    The augmented second between its second and third scale degrees gives it an "Arabic" or Middle Eastern feeling to Western listeners. In the Berklee method, it is known as the Mixolydian ♭ 9 ♭ 13 chord scale, a Mixolydian scale with a lowered 9th (2nd) and lowered 13th (6th), used in secondary dominant chord scales for V 7 /III and V 7 /VI.

  3. Phrygian mode - Wikipedia

    en.wikipedia.org/wiki/Phrygian_mode

    The Phrygian mode (pronounced / ˈ f r ɪ dʒ i ə n /) can refer to three different musical modes: the ancient Greek tonos or harmonia, sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.

  4. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...

  5. History of lute-family instruments - Wikipedia

    en.wikipedia.org/wiki/History_of_lute-family...

    Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...

  6. Oud - Wikipedia

    en.wikipedia.org/wiki/Oud

    The oud (Arabic: عود, romanized: ʿūd, pronounced; [1] [2] [3]) is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.

  7. Egyptian Danza - Wikipedia

    en.wikipedia.org/wiki/Egyptian_Danza

    Heavily influenced by Contemporary Egyptian music and Ancient Egyptian music, the distinctive exotic middle-eastern mystical sound and atmosphere of the piece comes from the C-sharp Phrygian dominant scale, which is composed from the fifth degree of an F-sharp harmonic minor scale. When Di Meola performs it live the piece is characterised by ...

  8. Middle Eastern music - Wikipedia

    en.wikipedia.org/wiki/Middle_Eastern_music

    Azeri Music, the varied traditions of Cypriot music, the Turkish music of Turkey, traditional Assyrian music, Coptic ritual music in Egypt as well as other genres of Egyptian music in general. It is widely regarded that some Middle-Eastern musical styles have influenced Central Asia, as well as the Balkans and Spain.

  9. Double harmonic scale - Wikipedia

    en.wikipedia.org/wiki/Double_harmonic_scale

    The double harmonic major scale [1] is a musical scale with a flattened second and sixth degree. This scale is enharmonic to the Mayamalavagowla raga, Bhairav raga, Byzantine scale, Arabic scale (Hijaz Kar), [1] [2] and Gypsy major scale. [3] It can be likened to a gypsy scale because of the diminished step between the 1st and 2nd degrees.