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The wearable art movement inherits from the Arts and Crafts movement, which sought to integrate art in everyday life and objects. Carefully handmade clothing was considered as a device for self-articulation and furthermore, a strategy to avoid the disempowerment of fashion users and designers by large-scale manufacturing.
As working conditions decreased, activism arose, and the sweatshop-free movement grew and soon caused the implementation of laws and sanctions to protect workers. In October 2008, the City of Portland, Oregon passed the "City of Portland Sweatshop Free Procurement Policy” [12] which is the pacific northwest’s first city to adopt this policy ...
Therefore, women were constrained by diet restrictions that seemed to contradict the image of the empowered 1960s Single Girl. [61] Fashion photographers also photographed the Single Girl wearing business wear, calling her the Working Girl. The Working Girl motif represented another shift for the modern, fashionable woman.
Another type of wristband is the sweatband; usually made of a towel-like terrycloth material. These are usually used to wipe sweat from the forehead during sport but have been known to be used as a badge or fashion statement.
[60] [61] The British equivalent, known as the Ton-up Boys, dressed similarly but rode lightweight cafe racer Triumph and BSA bikes. [62] Some girls wore jeans and leather jackets like the men, but most wore more typical college attire such as poodle skirts , petticoats , cardigan sweaters , and saddle shoes with bobby socks .
[36] [37] In East Greenland, women's trousers, or qartippaat, were quite short, leaving a gap between the thigh-length boots and the bottom of the trousers. [38] Women's qarliik were generally shaped the same as men's, but adjusted for women's needs. Women wore fewer layers overall, as they usually did not go outdoors for long periods during ...