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Stylistically, the music of the ars nova differed from the preceding era in several ways. Developments in notation allowed notes to be written with greater rhythmic independence, shunning the limitations of the rhythmic modes which prevailed in the thirteenth century; secular music acquired much of the polyphonic sophistication previously found only in sacred music; and new techniques and ...
The decisive refinements that made notation even of extremely complex rhythmic patterns on multiple hierarchical metric levels possible were introduced in France during the time of the Ars nova, with Philippe de Vitry as the most important theoretician. The Ars nova introduced the shorter note values below the semibreve; it systematicized the ...
Marchetto da Padova (Marchettus of Padua; fl. 1305 – 1319) was an Italian music theorist and composer of the late medieval era. His innovations in notation of time-values were fundamental to the music of the Italian ars nova, as was his work on defining the modes and refining tuning.
Johannes de Garlandia (Johannes Gallicus) (fl. Tooltip floruit c. 1270 – 1320) was a French music theorist of the late ars antiqua period of medieval music. He is known for his work on the first treatise to explore the practice of musical notation of rhythm, De Mensurabili Musica.
Philippe de Vitry's treatise Ars nova (1320) described a system in which the ratios of different note values could be 2:1 or 3:1, with a system of mensural time signatures to distinguish between them. This black mensural notation gave way to white mensural notation around
In mensural notation, prolation (also called prolatio) [1] describes the rhythmic structure of medieval and Renaissance music on a small scale. The term is derived from the Medieval Latin word prolatio (meaning "bearing" or "manner"), [2] first used by the medieval French composer Philippe de Vitry in describing Ars Nova, a musical style that arose in 14th-century France.
Ars cantus mensurabilis was the first treatise to suggest that individual notes could have their own durations independent of context. This new rhythmic system was the foundation for the mensural notation system and the ars nova style.
The notation is characteristic of the Ars Nova period. The manuscript is missing at least one gathering of Mass movements. [2] The provenance of the codex is disputed. It was long thought to have been compiled in Avignon, the seat of the French Papacy, around 1370. [3]