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Stylistically, the music of the ars nova differed from the preceding era in several ways. Developments in notation allowed notes to be written with greater rhythmic independence, shunning the limitations of the rhythmic modes which prevailed in the thirteenth century; secular music acquired much of the polyphonic sophistication previously found only in sacred music; and new techniques and ...
The example above, the chanson "Belle, bonne, sage" by Baude Cordier, written in a heart-shaped manuscript, is a rhythmically complex piece of ars subtilior. It uses several notation techniques for shifting between rhythms: [17] red notes: diminution 2 ⁄ 3; shift to prolatio maior: here with implied augmentation minim→semibreve
Much attention has also been paid to fr. 146's numerous polyphonic motets, some of which (In Nova Fert, for example) exhibit red notation of newer mensural notational innovations generally described under the umbrella of ars nova.
Philippe de Vitry (31 October 1291 – 9 June 1361) was a French composer-poet, bishop and music theorist in the ars nova style of late medieval music.An accomplished, innovative, and influential composer, he was widely acknowledged as a leading musician of his day; the early Renaissance scholar Petrarch wrote a glowing tribute, calling him: "... the keenest and most ardent seeker of truth, so ...
P. des Molins (fl. mid 14th century), probably Pierre des Molins, [n 1] was a French composer-poet in the ars nova style of late medieval music.His two surviving compositions – the ballade De ce que fol pensé and rondeau Amis, tout dous vis – were tremendously popular as they are among the most transmitted pieces of fourteenth-century music.
Machaut, "Doulz viaire gracieus", a typical Rondeau setting of the 14th-century Ars nova. MIDI rendering ⓘ Like the other formes fixes, the Rondeau (in its original form with full refrains) was frequently set to music. The earliest surviving polyphonic rondeaux are by the trouvère Adam de la Halle in the late 13th century.
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Marchetto da Padova (Marchettus of Padua; fl. 1305 – 1319) was an Italian music theorist and composer of the late medieval era. His innovations in notation of time-values were fundamental to the music of the Italian ars nova, as was his work on defining the modes and refining tuning.