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Metope from the Parthenon marbles depicting part of the battle between the Centaurs and the Lapiths; 442–438 BC; marble; height: 1.06 m; British Museum (London) A metope ( / ˈ m ɛ t ə p i / ; Ancient Greek : μετόπη ) is a rectangular architectural element of the Doric order , filling the space between triglyphs in a frieze [ 1 ] [ 2 ...
The metopes of the Parthenon are the surviving set of what were originally 92 square carved plaques of Pentelic marble originally located above the columns of the Parthenon peristyle on the Acropolis of Athens. If they were made by several artists, the master builder was certainly Phidias. They were carved between 447 or 446 BC. or at the ...
The Parthenon's west pediment depicted the contest between Athena and Poseidon over Attica and the east pediment the birth of Athena. [15] Classical archeologists since Johann Joachim Winckelmann's Geschichte der Kunst des Alterthums (published 1764) have recognized Greek pediment sculpture, in particular the pediments of the Parthenon, as the standard of the highest-quality art in antiquity. [16]
Ancient Greek architecture of the most formal type, for temples and other public buildings, is divided stylistically into three Classical orders, first described by the Roman architectural writer Vitruvius. These are: the Doric order, the Ionic order, and the Corinthian order, the names reflecting their regional origins within the Greek world.
However, following the publication of "Attische Bauwerke:I, Theseion" in 1873 by Cornelius Gurlitt and Ernst Ziller, the presence of pedimental architecture on both pediments of the Parthenon has generally been accepted. [47] The west group B and C is very damaged because it remained on the Parthenon until 1977, as was the western female figure W.
As director of the decoration of the Parthenon, he supervised a group of several masters with diverse preparation and tendencies, which made the overall result heterogeneous, showing both Severe and other more advanced, naturalistic traits, and technical quality not always considered the ideal one. This ensemble is the most ambitious sculptural ...
Pharsalos stele, c. 470–60, Louvre. The Severe style, or Early Classical style, [1] was the dominant idiom of Greek sculpture in the period ca. 490 to 450 BCE. It marks the breakdown of the canonical forms of archaic art and the transition to the greatly expanded vocabulary and expression of the classical moment of the late 5th century.
Archaic Greek sculpture represents the first stages of the formation of a sculptural tradition that became one of the most significant in the entire history of Western art. The Archaic period of ancient Greece is poorly delimited, and there is great controversy among scholars on the subject.