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"When We Were Young" is a song by English singer Adele from her third studio album, 25 (2015). Adele and Tobias Jesso Jr. wrote the song, and Ariel Rechtshaid produced it. The song was written within three days in Los Angeles, after Adele struggled with writer's block during unfruitful early sessions for the album.
"When We Were Young" Adele Adele Adkins Tobias Jesso Jr. 25: 2015 [11] "Why Do You Love Me" Adele Adele Adkins Rick Nowels: 25 Target and Japanese edition 2015 [11] "Wild Wild West" Adele Adele Adkins Ludwig Göransson 30 Target deluxe edition 2021 [12] "Woman Like Me" Adele Adele Adkins Dean Josiah Cover 30: 2021 [12]
"When We Were Young (The Logical Song)" is a song by French DJ and producer David Guetta and German singer and songwriter Kim Petras, released as a single on 10 November 2023 through What a DJ and Warner Music UK. It was written by Guetta, Jakke Erixson, Madison Love, Nick Long and Roger Davies, and produced by Guetta and Erixson.
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"When We Were Young" is a song by American electronic music producer Dillon Francis and Canadian electronic duo Sultan + Shepard featuring guest vocals of The Chain Gang of 1974. The song was written by Dillon Francis and The Chain Gang of 1974 , with production handled by Dillon Francis and Sultan + Shepard .
When We Were Young, a 2001 album by Dusted; When We Were Young, 1997 album by Eddie Hardin; When We Were Young, 2006 album by Akira the Don; When We Were Young, 2020 album by Eric Chou; When We Were Young: Live in London, 1972 album by Roxy Music
Dan did not want to be the artist on this song and so we created a faux group called '3V' which was, in fact, Dan and me…In the end, "Heart Of the Beat," was not used as the main song but instead a song sung by Ollie and Jerry called "There's No Stopping Us" replaced "We Are The Young," and, powered by the momentum of the film, hit the top of ...
In music, the dominant 7 ♯ 9 chord [1] ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root.