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The Manila shawl (Spanish: mantón de Manila or mantón de seda) is an embroidered silk shawl derived from the Philippine alampay or scarf (likely from the Luzonian or Tagalog variant). They were popular in the Philippines, Latin America, and Spain during the colonial era. It was also adopted and became popular in European fashions in the 19th ...
The pañuelo or alampay is a Filipino lace-like embroidered neck scarf or shawl worn around the shoulders over the camisa . They were square-shaped and were folded in half into a triangle when worn. Pañuelos are the direct predecessors of the Manila shawl. The Spanish word pañuelo (from paño + -uelo) means kerchief, scarf, and handkerchief.
Of shawls, apart from shape and pattern, there are only two principal classes: (1) loom-woven shawls called tiliwalla, tilikar or kani kar — sometimes woven in one piece, but more often in small segments which are sewn together with such precision that the sewing is quite imperceptible; and (2) embroidered shawls — amlikar — in which over ...
She is wearing a large, embroidered shawl wrapped around her shoulders, illustrating common flamenco costuming. [9] The dancer's pose, with the outstretched left arm, is a depiction of standard flamenco dance technique and style. [9] El Jaleo is the most theatrical of Sargent's early major works. [10]
Tablaos tend to be decorated in a typically Spanish way with embroidered silk shawls, photographs of famous people, bullfighting clothes and capes. [1] At a tablao they often serve drinks, they may offer samples of tapas, or dining on a full Spanish meal. [ 1 ]
The china poblana of popular imagination—of shiny embroidered blouse and shawl—is a product of the nineteenth century. Symbol of Mexican femininity, she is linked to Spanish prototypes such as the maja , immortalized in paintings by Murillo y Goya [ 9 ]