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Platform London is an interdisciplinary London-based art and campaigning collective founded in 1983 that creates projects with social justice and environmental justice themes. Platform describes itself as "bringing together environmentalists, artists, human rights campaigners, educationalists and community activists to create innovative ...
e-flux is a publishing platform and archive, artist project, curatorial platform, and e-mail service founded in 1998. [1] The arts news digests, events, exhibitions, schools, journal, books, and art projects produced and/or disseminated by e-flux describe strains of critical discourse surrounding contemporary art, culture, and theory internationally. [2]
The United States Society for Education through Art (USSEA) is an American national association whose members work in curriculum development, teaching and research related to art education and cultural differences, and who share interests in art educational content and strategies which promote tolerance and appreciation of the arts of non-mainstream cultural peoples.
In 2000, Platform Artists Group further expanded the organisation into a subway shop they named Sticky. Promoting and selling Artist books and Zines , Sticky has since become an independent organisation and one of Australia's largest sellers of zines, stocking work from the United States, UK, Germany, France, China, Japan and New Zealand.
Organised by Connected Art Platform (CAP). The use of science and technology as a tool to create art. Collaborative work on sustainability projects. Interactive participation that stimulates enthusiasm and lead to knowledge exchange. International and Indonesian Media Artists, Scientists, Technologist and Educators.
Billboard has announced the launch of a new platform, Billboard Arabia, which aims to spotlight artists with Arab roots and raise awareness of Arab music talent around the world.
Artists across China are boycotting one of the country’s biggest social media platforms over complaints about its AI image generation tool. Artists across China are boycotting one of the country ...
Tom May at Creative Boom interviewed artists who felt cautious optimism but also exhaustion at the prospect of rebuilding their audiences on a small platform. [10] Some interviewees expressed concerns that Cara may be too "artist-centric," and that one of its weak points is a lack of a non-artist audience to gain exposure to artists.