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An example which illustrates the problem might be Liszt's "La Notte", the second piece of the Trois Odes funèbres. Projected 1863 and achieved 1864, "La Notte" is an extended version of the prior piano piece Il penseroso from the second part of the Années de pèlerinage. According to Liszt's remark at the end of the autograph score, "La Notte ...
Franz Liszt, c. 1846. Les quatre élémens (The Four Elements), S.80, is a cycle of four choral pieces by Franz Liszt, to words by Joseph Autran. The cycle was composed in 1844–48, originally with piano accompaniment, later orchestrated. The title is an allusion to the Ancient Greek elements: earth, air, water, and fire.
The earlier unpublished solo version (S.175a) as well as the unpublished orchestra accompaniment sketches for a projected piano concerto version (S.365) do not contain the slow Andante sostenuto middle section, which shows that Liszt’s initial conception was one virtuoso sonata-allegro movement with exposition, development, recapitulation ...
Orchestral, piano 1st version of S.126ii; published in altered form by Busoni; original score unpublished (in private collection) 126ii H 8 Totentanz: pf orch 1859–64? Orchestral, piano 2nd version of S.126i; arr. for pf as S.525, for 2pf as S.652 126a# W14 Concerto in the Hungarian Style: pf orch Orchestral, piano
Piano Concerto, Op. 1 (destroyed, material partly used in the Piano Concerto No. 2) Piano Concerto No. 1 in B-flat, Op. 16 (1913) Piano Concerto No. 2 in E-flat, Op. 28, for left hand alone, written for Paul Wittgenstein (1924) Piano Concerto No. 3 in C minor, Per Aspera ad Astra, Op. 32 (1927) Russian Rhapsody; Dmitry Bortniansky. Piano ...
The musicians did not complete the piece on time, but the concert was held as scheduled. The concert's highlight was a piano "duel" between Thalberg and Liszt for the title of "greatest pianist in the world." Princess Belgiojoso announced her diplomatic judgment: "Thalberg is the first pianist in the world–Liszt is unique." [2]