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The style was promoted by the artists of Tự Lực văn đoàn ("Self-Reliant Literary Group") as a national costume for the modern era. [20] The painter Lê Phô introduced several popular styles of ao dai beginning in 1934. Such Westernized garments temporarily disappeared during World War II (1939–45).
Most of ancient northern Vietnam was referred as the Lạc Việt which was considered to be part of the Baiyue region in ancient Chinese texts. [1]: 26 Prior to the Chinese conquest, the Tai nobles first came in Northern Vietnam during the Đông Sơn era, and they started to assimilate the local Mon-Khmer and Kra-dai people in a processed referred as Tai-ization or Tai-ification as the Tai ...
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m], Hán-Nôm: 襖錦) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic.
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Fashion designers, in their constant quest to revitalize interest in traditional costumes - as well as reinvent them - have created many new collections of yếm. The modernized form of the garment is slightly different, typically with support at the back, and is called " áo yếm " rather than "yếm", the latter term referring to the ...
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Modern: Nowadays, mourning ceremonies follow new rituals which are simplified; they consist of covering and putting the dead body into the coffin, the funeral procession, the burial of the sike into the grave, and the visits to the tomb. [clarification needed] Traditionally, people wore white clothes along with white turbans during funerals.
The Ao Nhat Binh (chữ Nôm: 襖日平, Vietnamese: Áo Nhật Bình, lit. 'rectangle-collared garb'), which was a casual outer garment worn by the female royal family, female officials, and high noble ladies of the Nguyen dynasty during informal occasions, originated from the Ming dynasty pifeng ( Vietnamese : Áo Phi Phong ) which was ...