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The amplifying devices in audio and radio equipment are vulnerable to a variety of feedback problems, which can cause distinctive noise in the output. The term motorboating is applied to oscillations whose frequency is below the range of hearing, from 1 to 10 hertz , [ 3 ] so the individual oscillations are heard as pulses.
This makes a crackling sound, which has been compared to candy being unwrapped, Rice Krispies, or the sound of a log fire. This sound, first discovered by German physicist Heinrich Barkhausen, is called Barkhausen noise. Similar effects can be observed by applying only mechanical stresses (e.g. bending) to the material placed in the detecting coil.
The torsional deflection of a simple cylinder cannot radiate efficiently acoustic noise, but with particular boundary conditions the stator can radiate acoustic noise under torque ripple excitation. [8] Structure-borne noise can also be generated by torque ripple when rotor shaft line vibrations propagate to the frame [9] and shaft line.
The term 1-dimension refers to a simple pistonic relationship between the noise and the active speaker (mechanical noise reduction) or between the active speaker and the listener (headphones). Protection of a 3-dimensional zone requires many microphones and speakers, making it more expensive.
Researchers said on Wednesday they have settled the issue of what occurs inside knuckles to trigger the familiar popping sound. Snap, crackle, pop: study reveals secret behind knuckle-cracking ...
Impulse noise is a category of noise that includes unwanted, almost instantaneous (thus impulse-like) sharp sounds (like clicks and pops)—typically caused by electromagnetic interference, scratches on disks, gunfire, explosions, pickleball play, and synchronization issues in digital audio. High levels of such a noise (200+ decibels) may ...
In sample recording, digital clicks occur when the signal levels of two adjacent audio sections do not match. The abrupt change in gain can be perceived as a click. [5] In electronic music, clicks are used as a musical element, particularly in glitch and noise music, for example in the Clicks & Cuts Series (2000–2010). [6] [7]
Crossfeed is the process of blending the left and right channels of a stereo audio recording. It is generally used to reduce the extreme channel separation often featured in early stereo recordings (e.g., where instruments are panned entirely on one side or the other), or to make audio played through headphones sound more natural, as when listening to a pair of external speakers.