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The classic illustration drawing techniques were joined by photography, which was used both as a replacement for, for example, woodcuts, and was also used in the process of reproduction. Illustrated children's books gradually became more and more adapted to the needs of specific age groups, and the variety of genres of illustrated children's ...
Aesop and the Ferryman; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin
Jules-Joseph Lefebvre, The Grasshopper (1872), National Gallery of Victoria, Australia. Because of the influence of La Fontaine's Fables, in which La cigale et la fourmi stands at the beginning, the grasshopper then became the proverbial example of improvidence in France: so much so that Jules-Joseph Lefebvre (1836–1911) could paint a picture of a female nude biting one of her nails among ...
The contradictions between fables already mentioned and alternative versions of much the same fable, as in the case of The Woodcutter and the Trees, are best explained by the ascription to Aesop of all examples of the genre. Some are demonstrably of West Asian origin, others have analogues further to the East.
Art Institute of Chicago The Acorn and the Pumpkin , in French Le gland et la citrouille , is one of La Fontaine's Fables , published in his second volume (IX.4) in 1679. In English especially, new versions of the story were written to support the teleological argument for creation favoured by English thinkers from the end of the 17th century ...
The Panchatantra, a collection of Indian animal fables, is another early example. Both use talking animals for didactic purposes. [4] More recent fables like Sarah Trimmer’s History of the Robins (1786) use talking animals to instruct children on how to behave in society as well as how to maintain the social order. [4]
This too was the perspective of Gustave Moreau's 1879 watercolour in the series he painted of the fables. [13] In modern times, the fable has been made into a 3-minute animated film for children by the National Film Board of Canada (1972). [14] It also figured as part of a 1987 set of Greek stamps. [15]
The fable was also the subject of a painting by the French artist Vincent Chevilliard (1841–1904) and exhibited at the Paris Salon of 1881. The Austrian artist Gustav Klimt incorporated a reference to the beginning of the story on the left hand side of his painting "The Fable" in 1883. There a lion sleeps beneath a shrub, on the leafless ...