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The cost was very high due to the unusual construction method, luxurious materials, and the use of modern technology for heating and ventilation. The lower-ground level was used as a service area. An ultra-modern air-conditioning system was here and a glass façade that opens completely assisted by a mechanism built into the wall. [ 4 ]
The Chemosphere is a modernist house in Los Angeles, California, designed by John Lautner in 1960. The building, which the Encyclopædia Britannica once called "the most modern home built in the world", [1] is admired both for the ingenuity of its solution to the problem of the site and for its unique octagonal design.
The design of Palais Royale is a harmonious blend of modern engineering and traditional principles. ... The residential offering includes 153 ultra-luxury apartments ...
Split-Level House. A split-level home (sometimes called a tri-level home) is a style of house in which the floor levels are staggered.There are typically two short sets of stairs, one running upward to a bedroom level, and one going downward toward a basement area.
The Cabanon de vacances is a vacation home designed and built by noted architect Le Corbusier in 1951. [1] It is the only place the architect Le Corbusier built for himself which he used for vacation.
Stahl purchased the lot on a hill for $13,000 in 1954 and began meeting with architects to design a home for a parcel deemed "unbuildable" by other architects. [4] Koenig's design was built in 1959 as part of the Case Study Houses program. The house is considered an iconic representation of modern architecture in Los Angeles during the ...
It is widely accepted that architectural design begins by studying massing. [5] From a distance, massing, more than any architectural detail, is what creates the most impact on the eye. [ 6 ] Architectural details or ornaments may serve to reinforce or minimize massing. [ 7 ]
Constance Perkins's critique on Richard Neutra's book Survival Through Design: "The greatest enjoyment derived from re-readings of Survival Through Design may be gained from the unique and penetrating manner in which the author has related the numerous philosophies of eighteenth-century rationalism through twentieth-century concepts of a space-time experience, to problems of contemporary design."