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"The ' Me ' Decade and the Third Great Awakening" is an essay by American author Tom Wolfe, in which Wolfe coined the phrase " 'Me' Decade", a term that became common as a descriptor for the 1970s. The essay was first published as the cover story in the August 23, 1976, issue of New York magazine [ 1 ] and later appeared in his collection Mauve ...
Mauve Gloves & Madmen, Clutter & Vine is a 1976 book by Tom Wolfe, consisting of eleven essays and one short story that Wolfe wrote between 1967 and 1976. [1] It includes the essay in which he coined the term "the 'Me' Decade" to refer to the 1970s. In addition to the stories, Wolfe also illustrated the book. [2] [3]
The "Me" generation is a term referring to baby boomers in the United States and the self-involved qualities associated with this generation. [1] The 1970s was dubbed the "Me decade" by writer Tom Wolfe in The "Me" Decade and the Third Great Awakening; [2] Christopher Lasch wrote about the rise of a culture of narcissism among younger baby boomers. [3]
According to The New York Times, Wolfe was paid close to US$7 million for the book. [33] According to the publisher, Back to Blood is about "class, family, wealth, race, crime, sex, corruption and ambition in Miami, the city where America's future has arrived first." [34] The book was released to mixed reviews.
The list was criticized as biased towards English-language books, particularly those published by American authors. [3] Nigerian academic Ainehi Edoro criticized the lack of literature by African authors and the predominance of American literature on the list and called the list "an act of cultural erasure". [ 4 ]
Wolfe countered this criticism in his book Hooking Up, calling the three authors his "three stooges" who were actually shaken by the support he received. The novelists, he claimed, were threatened by the success of his technique - writing a novel based on reporting techniques - and were failing to engage the world around them.
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It was the first book-length narrative of Crane's life. But by the end of the 1980s, scholars Stanley Wertheim and Paul Sorrentino, working on a new edition of Crane's letters, had discovered that, in Sorrentino's words, Beer had altered the chronology of Crane's life, invented incidents, and composed letters allegedly from Crane.