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Scholars such as Oscar Cullman and James D.G. Dunn suggest the author of the "Christ hymn" in Philippians 2:5-11 may be drawing a parallel between Adam and Jesus. Cullman notes the parallel between "form of God" in Phil. 2:5 and "image of God" in Genesis 1:26, "The expression morphe (form) firmly establishes the connection between Jesus and the creation story of Adam... this Greek word ...
[55] He said many would be surprised and humiliated, after passing by Jesus, to find "Father Adam" standing there; however, he said, "those are ideas which do not concern us at present, although it is written in the Bible—'This is eternal life, to know thee the only true God, and Jesus Christ whom thou hast sent.'" [55]
In Genesis 2 God forms "Adam", this time meaning a single male human, out of "the dust of the ground", places him in the Garden of Eden, and forms a woman, Eve, as his companion. In Genesis 3 Adam and Eve eat the fruit of the tree of knowledge and God condemns Adam to labour on the earth for his food and to return to it on his death.
Apostle Paul's perspective on Christ as the "perfect man" considered him the "second Adam" who brought forth life, while Adam left a legacy of sin, e.g. in 1 Corinthians 15:22 (NIV) and Romans 5:12 (NIV) [1] In Ephesians 4:13, the Christian community is called to the "unity of faith, and of the knowledge of the Son of God, unto a perfect man ...
Setting out from the duplicate biblical account of Adam, who was formed in the image of God (Genesis 1:27), and of the first man, whose body God formed from the earth (Genesis 2:7), he combines with it the Platonic theory of forms; taking the primordial Adam as the idea, and the created man of flesh and blood as the "image." That Philo's ...
In Christianity, this concept has been used to explain the concepts of the covenants found in the Bible.In particular, it has been applied to passages such as Romans 5:12-21, explaining the relation of all humanity with Adam, as well as the relation of redeemed humanity with Jesus Christ, who is called the last Adam.
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The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the ...