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The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
Although a very early pioneer in trichromatic color film (as early as 1908), invented by German chemists Rudolf Fischer and Benno Homolka [], Agfa film was first made commercially available in 1936 (16 mm reversal and 35 mm), [2] Agfa-Gevaert has discontinued their line of motion picture camera films.
Basket Case (film) Beach Rats; Beasts of the Southern Wild; Beeswax (film) Being Elmo: A Puppeteer's Journey; Bellyfruit; Between the Temples; The Big Hurt (film) Bird (2024 film) Black Swan (film) Blood Hook; Blue Movie; The Body Remembers When the World Broke Open; Bolivia (film) The Brain Leeches; Breakaway (1966 film) The Bridge (1992 film ...
In 1947, United World Films, Inc., the non-theatrical subsidiary of Universal Pictures, purchased a majority stake in Castle Films. [3] Castle Films thus became the brand name of the United World subsidiary, and began drawing upon Universal's library of vintage films (with Abbott and Costello, W. C. Fields, Boris Karloff, James Stewart, etc.).
This is an alphabetical list of major titles produced by Coronet Films, an educational film company from the 1940s through 1990s (when it merged with Phoenix Learning Group, Inc.). The majority of these films were initially available in the 16mm film format.
Blackhawk Films, from the 1950s through the early 1980s, marketed motion pictures on 16mm, 8mm and Super 8 film. Most were vintage one- or two-reel short subjects , usually comedies starring Laurel and Hardy , Our Gang , Charlie Chaplin , Buster Keaton , and other famous comedy series of the past.
Read more The post 10 Times Vintage Items Sold for a Fraction of Their Value appeared first on Wealth Gang. Every once in a while, those good deals turn out to be rip-roaring screaming deals.
Decades before the video revolution of the late 1970s/early 1980s, there was a small but devoted market for home films in the 16 mm, 9,5 mm, 8 mm, and Super 8 mm film market. Because most individuals in the United States owning projectors did not have one equipped with sound, vintage silent films were particularly well-suited for the market.