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In traditional linear movies, the author can carefully construct the plot, roles, and characters to achieve a specific effect on the audience. Interactivity, however, introduces non-linearity into the movie, such that the author no longer has complete control over the story, but must now share control with the viewer. There is an inevitable ...
First movie with African-American interracial marriage: One Potato, Two Potato, [81] actors Bernie Hamilton and Barbara Barrie, written by Orville H. Hampton, Raphael Hayes, directed by Larry Peerce First African-American man to win the Academy Award for Best Actor : Sidney Poitier ( Lilies of the Field , 1963) (See also: James Baskett , 1948)
The deliberate use of certain lighting characteristics in a scene or even an entire film in order to provoke a particular state of mind or feeling in the viewer. MOS motion picture. Also called a film or movie. motion picture content rating system movement mechanism movie camera multiple-camera setup multiple exposure
When the Lumiere brothers held the first commercial cinema screening in Paris almost 130 years ago, few could have imagined what an all-consuming monster it would become. With multi-million dollar ...
The second scene parodies the post-credits scene from that film, with the Avengers sitting around a restaurant table, but with the Hulk hoarding the available food. The third scene shows Stan Lee as a janitor cleaning up the aftermath of Ultron's attack on Avengers Tower in Age of Ultron. He lifts Mjölnir and accidentally causes a blast of ...
In film, a sequence is a scene or a series of scenes that form a distinct narrative unit to advance the narrative, usually connected either by a unity of location or a unity of time. [1] Each of these sequences might further contain sub-sequences. It is also known by the French term, "plan séquence".
When a screenplay would require a new set to be built, filmmakers would often make the scene a high point of the movie, to justify the expense. [1] According to Adam O'Brien, a set piece is "a sequence in a film when we are invited to appreciate (if not consciously consider) the logistical efforts of the filmmaking process, including design ...
Day for night is a set of cinematic techniques used to simulate a night scene while filming in daylight. It is often employed when it is too difficult or expensive to actually film during nighttime. It is often employed when it is too difficult or expensive to actually film during nighttime.