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Vaporetto on the Canal Grande in Venice. Venice Vaporetto water bus system – water bus and bus stop. The vaporetto is a Venetian public waterbus.There are 19 scheduled lines [1] that serve locales within Venice, and travel between Venice and nearby islands, such as Murano, Burano, and Lido.
The following other wikis use this file: Usage on af.wikipedia.org Venesië; Usage on arz.wikipedia.org ڤينيسيا; Usage on ast.wikipedia.org
Mestre is the central and the most populated urban area of the Venice mainland. There are several bus routes and two tramway lines. Several bus routes link the mainland with Piazzale Roma, the main bus station in Venice, via Ponte della Libertà a road bridge connecting the historical center of the city of Venice to the mainland.
Piazzale Roma (Venetian: Piasal Roma) is a square in Venice, Italy, at the entrance of the city, at the end of the Ponte della Libertà. Piazzale Roma and nearby Tronchetto island are the only places in Venice's insular urban core accessible to ground motor vehicles, such as automobiles and buses.
Stone Lion of Saint Mark above the main gate at the Arsenal Entrance to the Arsenal ca. 1860–70. Photo by Venetian photographer Carlo Ponti. Venetian Arsenal towers. The Venetian Arsenal (Italian: Arsenale di Venezia) is a complex of former shipyards and armories clustered together in the city of Venice in northern Italy.
However, the temporary location of the monument was considered out of context and it was decided to install it in front of the luxury hotels of Riva degli Schiavoni, near the stop of the vaporetto "San Zaccaria", where it is still today. The monument was inaugurated on May 1, 1887, in the presence of King Umberto I and Queen Margherita of Savoy.
The facade of San Marcuola church seen from the Grand Canal (Venice). Interior view. The church of San Marcuola is a religious building facing the Grand Canal and located in the sestiere of Cannaregio in Venice, Italy. It is dedicated to the saints Hermagoras and Fortunatus ("Marcuola" is a Venetian contraction of "Ermacora").
The fire appears to be burning oil on the waters of a canal. In the foreground of the painting, a crowd of men has gathered to witness the event. In the buildings in the background, there appear to be men on rooftops appearing to fight the fire. [2] There is a drawing in pen and brush, owned by the Metropolitan Museum of Art. [3]