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Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Korea. [8]
Conservation and restoration of ceramic objects is a process dedicated to the preservation and protection of objects of historical and personal value made from ceramic. Typically, this activity of conservation-restoration is undertaken by a conservator-restorer , especially when dealing with an object of cultural heritage .
The conservation and restoration of ancient Greek pottery is a sub-section of the broader topic of conservation and restoration of ceramic objects. Ancient Greek pottery is one of the most commonly found types of artifacts from the ancient Greek world. The information learned from vase paintings forms the foundation of modern knowledge of ...
Slip casting, or slipcasting, is a ceramic forming technique, and is widely used in industry and by craft potters to make ceramic forms. This technique is typically used to form complicated shapes like figurative ceramics that would be difficult to be reproduced by hand or other forming techniques. [ 1 ]
Complete figurines are rare compared to the many headless figures or heads without bodies. They often take the form of a woman sitting in a polite female pose, on her calves with her feet tucked underneath. [9] The figure on the Right is complete. The second figurine the head has been separated but the two fragments were found together.
Outside East Asia, porcelain was manufactured at any scale only from the 18th century AD, and then initially as an expensive luxury. Tea served in a kulhar, which are disposable earthenware teacups in South Asia. After it is fired, earthenware is opaque and non-vitreous, [7] soft and capable of being scratched with a knife. [4]
Itá, Paraguay is another ceramic center, known for its whimsical, ceramic chickens. [79] Rosa Brítez (b. 1941) is a famous ceramic artist from Itá and has been recognized by UNESCO . The Museo del Barro , "Museum of Clay," in Asunción features pottery from the Gran Chaco, from Pre-Columbian Guaraní to contemporary mestizo ceramics.
A Hakata figurine of a bushi of the Kuroda clan A Hakata doll ( 博多人形 , Hakata ningyō ) is a traditional Japanese clay doll , originally from the city of Fukuoka , part of which was previously named Hakata before the city merger in 1889.