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The Banjaranama (بنجارانامہ, बंजारानामा, Chronicle of the Nomad) is a satirical Urdu poem, written by the eighteenth-century Indian poet Nazeer Akbarabadi. [1] The poem's essential message is that pride in worldly success is foolish, because human circumstances can change in a flash, material wealth and splendor is ...
Nazeer Akbarabadi (born Wali Muhammad; 1735 – 1830) was an 18th-century Indian poet known as "Father of Nazm", who wrote Urdu ghazals and nazms under the pen name "Nazeer", most remembered for his poems like Banjaranama (Chronicle of the Nomad), a satire.
"Just a Groove" is a song by English dance music group Nomad, released in 1991 as the third single from their only album, Changing Cabins (1991). It was a top 10 hit in Belgium, Greece, the Netherlands and Switzerland. In the UK, it peaked at number 16, while on the Eurochart Hot 100, it reached number 25 in May 1991.
Just a Groove (Nomad song), 1991; Just a Groove (Glen Adams Affair song), 1980 This page was last edited on 25 ...
Muhammad Iqbal, then president of the Muslim League in 1930 and address deliverer "Sare Jahan se Accha" (Urdu: سارے جہاں سے اچھا; Sāre Jahāṉ se Acchā), formally known as "Tarānah-e-Hindi" (Urdu: ترانۂ ہندی, "Anthem of the People of Hindustan"), is an Urdu language patriotic song for children written by poet Allama Muhammad Iqbal in the ghazal style of Urdu poetry.
Chupke Chupke Raat Din (Urdu: چپکے چپکے رات دن) (transl. Quietly Quietly Night & Day) is a popular ghazal written by Maulana Hasrat Mohani. [1] The music composition is based on Raga Kafi [citation needed]. It is a classical Urdu poem that represents the culture of the Mughal Dynasty. The poem became famous after it was sung by ...
When asked by host Stephen Colbert to name "Elton John's top five Elton John songs," the father of two first exclaimed, "Oh, for Christ's sake," before he detailed, "I would say anything off the ...
Dasht-e-Tanhai (Urdu: دشت تنہائی) is a popular Urdu Nazm with the title "Yaad". [1] It was written by Faiz Ahmed Faiz. [1] Originally composed by Mehdi Zaheer for Iqbal Bano, a premier Pakistani ghazal and semi-classical singer, it was later sung by Tina Sani and Meesha Shafi (Coke Studio).