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Most houses are symmetrical with the entrance door occupying the place of honour. Typically this front door leads to a foyer which then either leads to the sala (the main hall for entertaining a large number of guests) or the sala de visita (a smaller hall for entertaining a small number of guests) and in some cases the chapel in the house.
Goa reached the height of its prosperity between 1575 and 1625. Travellers marvelled at Goa Dourada, i.e., Golden Goa. A Portuguese proverb said, "He who has seen Goa need not see Lisbon." The houses of the rich were surrounded by gardens and palm groves; they were built of stone and painted red or white. Instead of glass, their balconied ...
Some of his most notable works are Life of St. Luís de Gonzaga, Model and Protector of Youth (1893), The Neuter School (1914), The Comunidades and the Cult (1914), The Castes (1915), An Open Letter to Dr. Afonso Costa (1916), A Rev. Master Flayed (1916), India and her Problems (1924), Tourism in Goa (1927), Letter to an innocent (1927), and ...
Goa Today is a monthly magazine published from Panjim , the state-capital of Goa, India, since 1966, [1] [2] featuring news, literature and local issues. [3] Goa Today is considered the "grand-daddy" of all monthly magazines in Goa. [4] It was founded by Francisco Damasceno do Rosario Dantas and former joint-editor of Navhind Times, Lambert ...
Factors that influenced residential design in Goa include: Protection from fierce seasonal monsoons. Portuguese Empire rule and the subsequent Christianisation of Goa allowed Catholic Goans to travel all over the world without fear. When these Goan travellers returned home, they brought with them ideas and influences from other countries.
Maria de Lourdes Bravo da Costa Rodrigues, of The Navhind Times, encountered an article on fearandyou.in that discussed the D'Mello House.In her own article, she expressed her familiarity with the D'Mello family and raised questions about the validity of the information presented on fearandyou.in, emphasizing the need for substantiation of the writer's imaginative claims.
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