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Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi: Uffizi, Florence, Italy: Tempera on panel 155,5 x 119,5 c. 1518: The Pearl [5] Museo del Prado, Madrid, Spain Oil on panel 147,4 x 116 1518–1519: Self-portrait with a Friend: Louvre, Paris, France: Oil on canvas 99 x 83 1518–1520: Holy Family Under an Oak Tree: Museo del Prado ...
Raphael, Disputation of the Holy Sacrament, 1509-1510. The first composition Raphael executed between 1509 and 1510 [7] was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.
The Portrait of Pope Leo X with two Cardinals, also known as Portrait of Pope Leo X with the cardinals Giulio de' Medici e Luigi de' Rossi (Italian: Ritratto di Leone X con i cardinali Giulio de' Medici e Luigi de' Rossi), is a painting by the Italian High Renaissance master Raphael, executed c. 1518-1520.
The painting depicts the meeting between the Pope Leo I and Attila the Hun, which took place in 452 in northern Italy. [1] Initially, Raphael depicted Leo I with the face of Pope Julius II but after Julius' death, [1] Raphael changed the painting to resemble the new pope, Leo X. [2] Leo X appears both as cardinal and as pope.
The Disputation of the Sacrament (Italian: La disputa del sacramento), or Disputa, is a painting by the Italian Renaissance artist Raphael.It was painted between 1509 and 1510 [1] as the first part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
The painting was part of Raphael's commission to decorate the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. It is located in the room that was named after The Fire in the Borgo , the Stanza dell'incendio del Borgo and was inspired by the naval battle fought in 849 between the Arab and a Christian ...
The Transfiguration is the last painting by the Italian High Renaissance master Raphael.Cardinal Giulio de Medici – who later became Pope Clement VII (in office: 1523–1534) – commissioned the work, conceived as an altarpiece for Narbonne Cathedral in France; Raphael worked on it in the years preceding his death in 1520. [1]
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