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TV Recording Film, Type 834 B and A, B&W (discontinued) The 1969 list is identical to 1966. [8] 1969 is the last appearance of DuPont motion picture film stocks in the American Cinematographer Manual. The list below is from 1970; "A" was 16mm, "B" was 35mm. [9] Films marked with ‡ could also be processed as a negative film stock
16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 2 ⁄ 3 inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures.
A silent home movie on 16mm black-and-white reversal double-perforation film stock. Agfa began to produce motion picture film in 1913, but remained a largely local supplier until World War I boycotts of popular French, American and Italian film stocks allowed the UFA film studio to flourish, boosting Agfa's
Auricon cameras were 16 mm film Single System sound-on-film motion picture cameras manufactured in the 1940s through the early 1980s. Auricon cameras are notable because they record sound directly onto an optical or magnetic track on the same film that the image is photographed on, thus eliminating the need for a separate audio recorder.
Producers Library was founded in 1957, when the "librarians at —RKO and MGM—decided to form their own company". [5]The archival footage from Producers Library has been used in major Hollywood feature films such as the intro to L.A. Confidential, [6] [7] where their stock footage shots of Los Angeles in the 1950s transport the viewer to the time period in which the film takes place.
For 35 mm film these are 0.1866" and 0.1870" (4.740 mm and 4.750 mm); for 16 mm film they are 0.2994" and 0.3000" (7.605 mm and 7.620 mm). This distinction arose because early nitrocellulose film base naturally shrank about 0.3% in processing due to heat, so film printing equipment was designed to account for a size difference between its ...
The majority of these films were initially available in the 16mm film format. The company started offering VHS videocassette versions in 1979 in addition to films, before making the transition to strictly videos around 1986.
Victor offered many models of 16mm projectors, most with only minor variations, but prior to military contracts won during World War II, all were made and sold in very small numbers, from 20 units to usually no more than a couple of thousand units. The company was a large producer of lantern slides using their "Featherweight" method- a one ...