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The Devil's Advocate (marketed as Devil's Advocate) is a 1997 American supernatural horror film directed by Taylor Hackford, written by Jonathan Lemkin and Tony Gilroy, and starring Keanu Reeves, Al Pacino and Charlize Theron.
The Devil's Advocate is a 1959 novel by Australian author Morris West. [1] It forms part of West's "Vatican" sequence of novels, along with The Shoes of the Fisherman (1963), The Clowns of God (1981), and Lazarus (1990).
The Devil's Advocate attracted positive reviews from critics. [84] Film critic James Berardinelli called the film "highly enjoyable" and wrote, "There are times when Reeves lacks the subtlety that would have made this a more multi-layered portrayal, but it's nevertheless a solid job".
Jeffrey Duncan Jones (born September 28, 1946) is an American actor, known for his roles as Emperor Joseph II in Amadeus (1984), Edward R. Rooney in Ferris Bueller's Day Off (1986), Charles Deetz in Beetlejuice (1988), Dr. Skip Tyler in The Hunt for Red October (1990), Eddie Barzoon in The Devil's Advocate (1997), and A.W. Merrick in both Deadwood (2004–2006) and Deadwood: The Movie (2019).
The Devil's Advocate, originally released as Des Teufels Advokat, is a 1977 West German English-language drama film, directed by Guy Green (his final theatrical film) and based on the 1959 novel of the same name by the Australian writer Morris West. It stars John Mills, Paola Pitagora, Stéphane Audran, Leigh Lawson, Jason Miller and Daniel Massey.
The non-academic equivalent of a discussant is a “devil’s advocate,” who highlights the blind spots in a proposal. Sometimes, an entire group is tasked with this job, known as a “red team ...
"A successful businessman, philanthropist, former Heisman Trophy winner, and NFL great, Herschel has been a tireless advocate for youth sports." Walker ran for U.S. Senate in 2022 but was defeated ...
The Devil's Advocate is a 1961 American play by Dore Schary adapted from the novel of the same name by Morris West. It ran for 116 performances on Broadway. It ran for 116 performances on Broadway. Schary signed a contract to adapt it in 1959.