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Hazel Holt (nee Young, 3 September 1928 – 23 November 2015) [1] was a British novelist. She studied at King Edward VI High School for Girls in Birmingham , England, and then Newnham College, Cambridge .
The author, Hazel Holt, worked with Pym in the 1950s at the International African Institute in London before embarking on her own literary career. The pair remained friends, and Holt functioned as Pym's literary executor after the latter's death from breast cancer in 1980.
In 1990, Hazel Holt published A Lot To Ask: A Life of Barbara Pym, her biography of Pym. The two books are designed to complement each other; thus, Holt focuses much of her time on the years 1950–1962, filling out the gaps in the text of A Very Private Eye. Heavily featured are letters between Pym and the poet Philip Larkin. The two authors ...
It was Hazel Holt who chose the title from a phrase in one of the novel's final chapters. [7] Its immediate inspiration was a wrangle in Africa , the academic journal of the International African Institute that Pym was editing at the time of writing.
Pym's literary executor Hazel Holt helped finalise revisions after Pym's death. [10] The novel was released as an audiobook in the 1980s by Chivers Press narrated by Jan Francis. The novel was published in Italy in 1994 as Qualche foglia verde and in France in 1987 as Un brin de verdure.
When Pym died in 1980, she had published 9 novels and a small number of short stories. After Pym's death, her literary executors were her sister, Hilary Pym, and her good friend and fellow novelist Hazel Holt. They aimed to release much of Pym's unpublished material.
The English edition included a foreword by Larkin as well as a note by her literary executor, the novelist Hazel Holt. The novel was recorded as an audiobook by Gretel Davis for Chivers Press in the 1980s and by Penelope Keith for the BBC in 1991.
The book is a first-person narrative in which Mildred Lathbury records the humdrum details of her everyday life in post-war London near the start of the 1950s. Perpetually self-deprecating, but with the sharpest wit, Mildred is a clergyman's daughter who is now just over thirty and lives in "a shabby part…very much the 'wrong' side of Victoria Station".