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In 2009, Rone released a new maxi, entitled "La Dame Blanche". The track was later remixed by LCD Soundsystem's bass player Tyler Pope and Austrian electronic music artist Clara Moto. The same year he brought out his first album Spanish Breakfast, also on Infiné. Electronic Beats ranked him in their top 25 Best Albums of 2009. [4]
La dame blanche (French pronunciation: [la dam blɑ̃ʃ], The White Lady) is an opéra comique in three acts by the French composer François-Adrien Boieldieu.The libretto was written by Eugène Scribe and is based on episodes from no fewer than five works of the Scottish writer Sir Walter Scott, including his novels Guy Mannering (1815), The Monastery (1820), and The Abbot (1820). [1]
The name Lammendam is a Dutch adaptation of the French term "La Dame Blanche", which translates to "The White Lady." This name was given to the ghost that appeared in Schinveldse Bossen by French farmers who had evacuated to the Netherlands during the French revolution. [3] [7]
He began teaching at "L'École d'art lyrique" of the Paris Opéra in 1979, and was eventually named director of the school. He can be heard in several recordings, such as La dame blanche, the title role in Le Comte Ory, Mireille, and Thais, made in his prime, in the early 1960s. Michel Sénéchal died in Eaubonne on 1 April 2018, aged 91. [3]
In 1825, he produced his operatic masterpiece, La dame blanche (revived in the Salle Favart in 1997 and recorded by the conductor Marc Minkowski). Unusual for the time, La dame blanche was based on episodes from two novels by Walter Scott.
1992 saw Fleming making her debut with Grand Théâtre de Genève as Fiordiligi in Mozart's Così fan tutte, [46] and she sang the role of Anna in Boieldieu's La dame blanche at Carnegie Hall with the Opera Orchestra of New York and the role of Fortuna in Mozart's Il sogno di Scipione at Alice Tully Hall, as part of Lincoln Center's Festival of ...
Other roles at the Salle Favart included Ange Pitou in La Fille de Madame Angot, Almaviva in Le Barbier de Séville, Clément Marot in La Basoche, Rodolphe in La Bohème, Don José in Carmen, the title role in Les Contes d’Hoffmann, Georges in La Dame blanche, Alexis in Le Déserteur, Ottavio in Don Giovanni, Tamino in The Magic Flute, the ...
The singer's most noteworthy creations there included Gaveston in Boieldieu's La dame blanche (1825) and Sergeant Sulpice in Donizetti's La fille du régiment (1840). He also sang at the premiere of George Onslow's opera Le duc de Guise. He continued to appear regularly with the company until 1849. [1]