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The Bowery Theatre was a playhouse on the Bowery in the Lower East Side of Manhattan, New York City.Although it was founded by rich families to compete with the upscale Park Theatre, the Bowery saw its most successful period under the populist, pro-American management of Thomas Hamblin in the 1830s and 1840s.
The Windsor Theatre, originally the German Winter Garden, was a theatre in Manhattan located at 43-47 Bowery, New York, New York, United States during 1855–1910. [1] It was on the stretch between Bayard and Canal Streets, across the street from the Thalia Theatre. [2] In 1855 it was constructed as the German Winter Garden (aka Volks Garden).
The Bowery Theatre was a 19th-century playhouse at 46 Bowery. It was founded in the 1820s by rich families to compete with the upscale Park Theatre. By the 1850s, the theatre came to cater to immigrant groups such as the Irish, Germans, and Chinese. It burned down four times in 17 years, and a fire in 1929 destroyed it for good.
Henry Richard "Huntz" Hall (August 15, 1920 [1] – January 30, 1999) was an American radio, stage, and movie performer who appeared in the popular "Dead End Kids" movies, including Angels with Dirty Faces (1938), and in the later "Bowery Boys" movies, during the late 1930s to the late 1950s.
Gordon-Phillips and her sisters Rosie and Jeanie owned the Venice Theater on Park Row from the 1920s to the 1940s; [5] Gordon-Phillips was the manager. [6] After the theater closed each night, she visited homeless men on the streets, distributing money and toiletries and assisting them to find a place to sleep in homeless shelters.
Crowds along the "Bowery at night," c. 1895 painting by William Louis Sonntag, Jr. Miner's Bowery Theatre was a vaudeville or variety show theater opened in the Bowery of New York by Senator Henry Clay Miner in 1878. [1]
Date/Time Thumbnail Dimensions User Comment; current: 21:12, 18 January 2006: 434 × 379 (164 KB): Amcaja: New York City's Bowery Theatre, 1887. Taken from the Google Print version of ''City of Eros: New York City, Prostitution, and the Commercialization of Sex, 1790—1920'', by Timothy J. Gilfoyle.
Chanfrau as Mose, 1848. In 1848, Baker had a benefit at Mitchell's Olympic and asked Chanfrau to do his part from A Glance at New York in the afterpiece.Brown relates that "Mitchell used to tell how he went on the stage that night just before the curtain was rung up, and seeing Chanfrau at the back, dressed for his part, was on the point of ordering him off, supposing he was one of the 'Centre ...