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The Palazzo Barbarigo Minotto (also called Palazzo Minotto Barbarigo) is a 15th-century palace on the Grand Canal in Venice, northern Italy, next to the much larger Palazzo Corner. [1] Built in the Venetian Gothic style, it was originally two palaces, Palazzo Barbarigo and Palazzo Minotto, later joined together.
The facade on the Canal Grande. The Lion of St Mark on the facade. Palazzo dei Dieci Savi is a palace on the Canal Grande, Venice, northern Italy.It is included in the sestiere (quarter) of San Polo and is not far from the Rialto Bridge, on the opposite side from the Palazzo dei Camerlenghi.
Details. Photo by Paolo Monti, 1969. The façade of Palazzo Pisani Moretta is an example of Venetian Gothic floral style with its two floors of six-light mullioned windows with ogival arches, similar to those found in the loggia of the Doge's Palace flanked by two single windows.
Palazzo Contarini Dal Zaffo, also known as Palazzo Contarini Polignac is a large palace in Venice, located in the Dorsoduro district, overlooking the Grand Canal, in an intermediate position between Palazzo Brandolin Rota and Palazzo Balbi Valier. [1] [2] [3]
Palazzo Corner. Palazzo Corner della Ca' Granda, also called Ca' Corner della Ca' Granda or simply Palazzo Corner or Palazzo Cornaro, is a Renaissance-style palace located between the Casina delle Rose and the Rio di San Maurizio (Venice), across the Grand Canal from the Palazzo Venier dei Leoni (Peggy Guggenheim Collection), in the city of Venice, Italy.
The palace is now used for exhibitions. [2] Due to the high price of land in Venice, patrician palaces tended to expand upwards rather than outwards, and this palace is a good example. [3] The water storey shows the original Veneto-Byzantine semicircular arches, while the storey above it shows the ogee arches from the later Gothic restructuring ...
Palazzo Labia is a baroque palace in Venice, Italy. Built in the 17th–18th century, it is one of the last great palazzi of Venice. Little known outside of Italy, it is most notable for the remarkable frescoed ballroom painted 1746–47 by Giovanni Battista Tiepolo, with decorative works in trompe-l'œil by Gerolamo Mengozzi-Colonna.