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Conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, a line is generally determined either by units of rhythm or repeating aural patterns in recitation that can also be marked by other features such as rhyme or alliteration, or by patterns of ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The use of a MacGuffin as a plot device predates the name MacGuffin. The Holy Grail of Arthurian legend has been cited as an early example of a MacGuffin. The Holy Grail is the desired object that is essential to initiate and advance the plot, but the final disposition of the Grail is never revealed, suggesting that the object is not of significance in itself. [8]
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
Literature. Split Second, a 2003 novel by David Baldacci; The Split ... Split Second, a 1979 novel by Garry Kilworth; Other uses. Split/Second, ...
Split Second is a crime fiction novel written by American writer David Baldacci. This is the first novel in the King and Maxwell book series . The book was published on September 30, 2003, by Grand Central Publishing .
Ellipses–Leaving out part of a sentence or an event by substituting it with ellipses is a stylistic element. It represents an omission of words which helps in advancing the story. Parentheses–It is technically used to separate and subordinate segments of a prose sentence. In poetry, parentheses draws attention to what is encased within them.
The second infinitive is formed by replacing the final -a/-ä of the first infinitive with e. It can take the inessive and instructive cases to create forms like kirjoittaessa "while writing". The third infinitive is formed by adding -ma to the first infinitive, which alone creates an "agent" form: kirjoita- becomes kirjoittama .