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Day of the Badman is a 1958 American Western film directed by Harry Keller and starring Fred MacMurray, Joan Weldon and John Ericson. [1] Plot
Return of the Bad Men, also known as Return of the Badmen, is a 1948 American Western film directed by Ray Enright and starring Randolph Scott, Robert Ryan and Anne Jeffreys. [2] A loose sequel to the 1946 film Badman's Territory, it was followed by Best of the Badmen (1951).
A match-day decision by Linda to end her engagement to Jim changes Brett's plans; he decides to go straight. However, his brother Gar betrays him to Ringo, who goes through with the daring robbery. Brett has to exchange gunfire with Ringo and face down Gar - whom Ringo has mortally wounded. When it is all over, Linda and Brett are finally ...
The Bad Man is a 1941 American western film starring Wallace Beery and featuring Lionel Barrymore, Laraine Day, and Ronald Reagan. The movie was written by Wells Root from the 1920 Porter Emerson Browne play of the same name and directed by Richard Thorpe. The film is a remake of the 1923 silent version and the 1930 remake starring Walter Huston.
Weldon's film debut came in the 1953 film The System. [4] Although her background was singing in operas, The System and her next two films, So This Is Love and Rear Guard, all had her in non-singing roles. [10] She became a contract actress with Warner Bros. where she remained until her contract ended in 1954.
The Bad Man may refer to: The Bad Man, a 1920 play by Porter Emerson Browne, basis for all three films; The Bad Man, an American silent film drama directed by Edwin Carewe; The Bad Man, an American early sound film starring Walter Huston; The Bad Man, an American film starring Wallace Beery and Ronald Reagan
Angel and the Badman is a 1947 American Western film written and directed by James Edward Grant and starring John Wayne, Gail Russell, Harry Carey and Bruce Cabot. [2] The film is about an injured gunfighter who is nursed back to health by a young Quaker woman and her family whose way of life influences him and his violent ways.
The film was based on a 1955 novel of the same title by Lee Edwin Wells (1907-1982), that also ran in several newspapers as a serialized story in the fall of 1955 and others in the late summer 1956. [3] Producer Buddy Adler originally purchased the film rights as a vehicle for Robert Wagner. [4]