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The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
Kamae was introduced to Gabby Pahinui in 1959, and the slack key virtuoso demonstrated a new way to make the 'ukulele "talk story". Kamae himself would come to be known for his inventive methods of plucking all four strings simultaneously, [4] [7] playing the chords and melody at the same time. [1]
The Ukulele Orchestra of Great Britain (UOGB) was formed in London in 1985 when the multi-instrumentalist and musicologist George Hinchliffe gave his friend the post-punk singer Kitty Lux a ukulele for her birthday, after she had expressed an interest in learning more about harmony.
The most common slack-key tuning, called "taro patch," makes a G major chord. Starting from the standard EADGBE, the high and low E strings are lowered or "slacked" to D and the fifth string from A down to G, so the notes become DGDGBD. As the chart below shows, there are also major-chord tunings based on C, F, and D.
"The Wreck of the Nancy Lee" (1931) is a comic song, words and music by Arthur Le Clerq. Sheet music published in London in 1932 billed it as "He Played his Ukulele as the Ship Went Down: a comedy foxtrot". [1]
Melbourne E. Bay (February 25, 1913 – May 14, 1997), known professionally as Mel Bay, was an American musician and publisher best known for his series of music education books. His Encyclopedia of Guitar Chords , first published in 1971, remains a bestseller.
"Three Chords and the Truth" is a song co-written and recorded by American country music artist Sara Evans. It was released in July 1997 as the second single from Evans' debut album of the same name in July 1997. Despite its minor success on the Billboard country chart, it was critically acclaimed for its retro-themed production. Since its ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...