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One of the twelve most traditional names. [9] The chief name of the work used since the Medieval Era. One of the two chief names that the work is known by today. 3: அறம் (Aṟam) Variant: தமிழறம் (Tamiḻaṟam) Virtue Tamil virtue: Alathur Kilar [1] Purananuru, verse 34 (c. 1st century BCE–5th century CE)
Vidaamuyarchi, existing in this form, is a fascinating addition to the evolving standards of superstar films in Tamil cinema." [65] Sudhir Srinivasan of Cinema Express gave 3.5/5 stars and wrote "Vidaamuyarchi is not a film about a hero who smashes his enemies into dust. It is a film about a man and a woman who refuse to turn on each other."
The work is highly cherished in the Tamil culture, as reflected by its twelve traditional titles: Tirukkuṟaḷ (the sacred kural), Uttaravedam (the ultimate Veda), Tiruvalluvar (eponymous with the author), Poyyamoli (the falseless word), Vayurai valttu (truthful praise), Teyvanul (the divine book), Potumarai (the common Veda), Valluva Maalai ...
Muyarchi (transl. Effort) is a 1953, Indian Tamil-language film directed by Joseph Pallippad. The film stars P. V. Narasimha Bharathi and Revathi. It was released on 5 June 1953.
The Nālaṭiyār (Tamil: நாலடியார்) is a Tamil poetic work of didactic nature belonging to the Eighteen Lesser Texts (Patiṉeṇkīḻkaṇakku) anthology of Tamil literature. This belongs to the post Sangam period corresponding to between 100 and 500 CE. Nālaṭiyār contains 400 poems, each containing four lines. Every ...
[24] [22] Mu Raghava Iyengar speculated that "valluva" in his name is a variation of "vallabha", the designation of a royal officer. [24] S. Vaiyapuri Pillai suggested Valluvar derived his name from "Valluvan" (a Paraiyar caste of royal drummers) and theorized that he was "the chief of the proclaiming boys analogous to a trumpet-major of an army".
What's so special about this purse? This purse has garnered a bit of a reputation on Amazon, where more than 8,300 reviews have given it an average 4.3-star rating.
The authors are unidentified in the case of a hundred stanzas. The poets belonged to different parts of Tamil Nadu and to different professions. Some of them were very popular like Kabilar, Nakkirar and Avvaiyaar and some others are rarely remembered by their names. Yet a general harmony prevails throughout these eight anthologies.