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The term "atomic bomb literature" came into wide use in the 1960s. [2] Writings affiliated with the genre can include diaries, testimonial or documentary accounts, and fictional works like poetry, dramas, prose writings or manga about the bombings and their aftermath. There are broadly three generations of atomic bomb writers. [1]
This poem is an appeal to Christian charity, a highly respected value in the Middle Ages (as seen in the third and fourth lines of the first stanza: "For, if you take pity on us poor fellows, God will sooner have mercy on you."). Redemption is at the heart of the ballad.
While he was a middle school student, Hara became familiar with Russian literature, and also began to write poetry. He particularly admired the poets Murō Saisei and Paul Verlaine . [ 3 ] After graduating from the English literature department of Keio University , he published prose and poetry works in Mita Bungaku magazine.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Buddha relics from Kanishka the Great's stupa in Peshawar, Pakistan, now in Mandalay, Burma.Teresa Merrigan, 2005. Śarīra is a generic term referring to Buddhist relics, although in common usage it usually refers to pearl or crystal-like bead-shaped objects that are found among the cremated ashes of Buddhist spiritual masters.
"Wichita Vortex Sutra" is an anti-war poem by Allen Ginsberg, written in 1966. It appears in his collection Planet News and has also been published in Collected Poems 1947-1995 [1] and Collected Poems 1947-1980. [2] The poem presents Ginsberg as speaker, focusing on his condemnation of the Vietnam War.
The unnamed narrator lies in bed and upon hearing the singing of birds outside his window, and contemplates the notion of being reborn in the next life as a bird. The narrator reflects on whether his human consciousness would be transferred to his new bird body or if he would gain an entirely new animal consciousness upon rebirth.
The second part is the eponymous long poem "Station Island" which is broken into twelve sections. Describing the way in which he modeled the structure of the poem on Dante , Heaney calls it "the three-part Dantean journey scaled down into the three-day station, no hell, no paradise, just 'Patrick's Purgatory.'" [ 6 ] This is evident from the ...