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Vaughan Williams was engaged to write incidental music at Stratford between 1912 and 1913. Rosabel Watson directed and arranged music for many productions at Stratford and elsewhere. [3] A Shakespeare Music Catalogue (1991) lists over 20,000 items of theatrical and non-theatrical music associated with Shakespeare, much of it unpublished. [4]
The strongest example of music within alchemy can be found in the seventeenth century work of Michael Maier. His Atalanta Fugiens included fifty fugues. The fugues were arranged in three voices symbolizing the philosopher's stone, the pursuing adept, and obstacles in his way. [15]
A music video is a video that integrates a song or an album with imagery that is produced for promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings.
However, the style of his compositions places him as among the most characteristically "English" composers of his generation. Additionally, despite being agnostic, he wrote a significant amount of inspired and imposing Christian choral music that remains consistently in the performance repertoire.
The music video for Peter Gabriel's song "Sledgehammer" is an example of a formally unorganized music video. Generally music videos can be said to contain visuals that either represent the potential connotative meaning of the lyrics or a semiotic system of its own. Although many analysts would explain a music video as a narrative structure ...
A rhapsody in music is a one-movement work that is episodic yet integrated, free-flowing in structure, featuring a range of highly contrasted moods, colour, and tonality.An air of spontaneous inspiration and a sense of improvisation make it freer in form than a set of variations.
The song's lyrics were written by Neil Peart with music written by Geddy Lee and Alex Lifeson. "Limelight" expresses Peart's discomfort with Rush's success and the resulting attention from the public. The song paraphrases the opening lines of the "All the world's a stage" speech from William Shakespeare's play As You Like It.
The Dream is a one-act ballet adapted from Shakespeare's A Midsummer Night's Dream, with choreography by Frederick Ashton to music by Mendelssohn arranged by John Lanchbery.It was premiered by The Royal Ballet at the Royal Opera House, Covent Garden on 2 April 1964 in a triple bill with Kenneth MacMillan's Images of Love and Robert Helpmann's Hamlet.