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Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia . [ 1 ]
The Chinese Calligraphy and Painting Grading Dictionary (中国书画定级图典) states: "The calligraphy adopts the cursive script method of the Tang dynasty artist Huai Su, but it has already achieved a level of mastery that allows for free and versatile application. The brushwork is both vigorous and smooth.
Many East Asian scripts can be written horizontally or vertically. Chinese characters, Korean hangul, and Japanese kana may be oriented along either axis, as they consist mainly of disconnected logographic or syllabic units, each occupying a square block of space, thus allowing for flexibility for which direction texts can be written, be it horizontally from left-to-right, horizontally from ...
Print/export Download as PDF; Printable version; ... Pages in category "Chinese calligraphy" The following 36 pages are in this category, out of 36 total.
The Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì wén), also known as the Thousand Character Text, is a Chinese poem that has been used as a primer for teaching Chinese characters to children from the sixth century onward. It contains exactly one thousand characters, each used only once, arranged into 250 lines of four ...
Nine-fold seal script [a] [1] [2] or nine-fold script, [b] [3], also called jiudiezhuan [1] [2] or jiudiewen [3], nine-bend script, [3] or translated as layered script [5] is a highly stylised form of Chinese calligraphy derived from small seal script, using convoluted winding strokes aligned to horizontal and vertical directions, folded back and forth to fill the available space.
Chinese calligraphy differs from western calligraphic script in the sense that it was done with a brush instead of metal implements or a quill. Calligraphy was the art by which a scholar could compose his thoughts to be immortalized. It was the scholar's means of creating expressive poetry and sharing his or her own learnedness.
In Written Chinese, each character conforms to a roughly square frame, so the entire text can fit into a grid. Because of this, East Asian punctuation marks are larger than their European counterparts, as they should occupy a square area that is the same size as the characters around them.