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Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. [1] His animated imagery has "become a widely recognized visual language". [2]
Haring painting a mural at the Stedelijk Museum Amsterdam, 1986. This is an incomplete list of paintings and other works by American artist Keith Haring (1958–1990). Haring's art career gained massive popularity from his chalk drawings at New York City subways. [1]
The Valley is a suite of etchings by Keith Haring, illustrating the eponymous final chapter from The Western Lands by William S. Burroughs, drawn in 1989 and published in 1990. [1]
Although Haring and Basquiat never collaborated, they remained close friends. [3] Following Basquiat's death from a heroin overdose on August 12, 1988, Haring wrote his obituary for Vogue and created A Pile of Crowns for Jean-Michel Basquiat in tribute. [4] Haring was diagnosed with HIV/AIDS that year. He died on February 16, 1990, of AIDS ...
On "Pawn Stars," a man brought in two Keith Haring art pieces which ended up being worth a small fortune. APPRAISER: "I could see them in a gallery in New York in the $40-000-$50,000 range.
We the Youth is a 1987 mural by Keith Haring covering the west face of a private rowhouse in the Point Breeze neighborhood of Philadelphia, Pennsylvania. [1] [2] It was painted during a three-day workshop on 1, 2 and 3 September 1987. [3] [4] It is the only of Haring's collaborative public murals to remain in its original location.
Crack Is Wack is a mural created in 1986 by American artist and social activist Keith Haring.. Located near the Harlem River Drive in the East Harlem neighborhood of Manhattan in New York City, the mural serves as a warning against crack cocaine use, which was rampant in major cities across the United States during the mid to late 1980s.
Unfinished Painting is a 1989 painting by American artist Keith Haring. It is a 100 cm by 100 cm acrylic painting on canvas piece, recognizable by the large swath of canvas left exposed. [1] It is known as one of Haring's final paintings before his 1990 death from AIDS-related complications at the age of 31. [2]