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In many Western classical poetic traditions, the metre of a verse can be described as a sequence of feet, [1] each foot being a specific sequence of syllable types – such as relatively unstressed/stressed (the norm for English poetry) or long/short (as in most classical Latin and Greek poetry). Iambic pentameter, a common metre in English ...
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf , but the vast majority of Old English poetry belongs to the same tradition.
A treatise on poetry by Diomedes Grammaticus is a good example, as this work categorizes dactylic hexameter verses in ways that were later interpreted under the golden line rubric. Independently, these two trends show the form becoming highly artificial—more like a puzzle to solve than a medium for personal poetic expression.
Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in the 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms.
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...
Iambic meter: any meter based on the iamb as its primary rhythmic unit. Alexandrine (iambic hexameter): a 12-syllable iambic line adapted from French heroic verse. Example: the last line of each stanza in “The Convergence of the Twain” by Thomas Hardy. [1] Czech alexandrine; French alexandrine; Polish alexandrine
The oldest Greek verseform, [1] and the Greek line for heroic verse, is the dactylic hexameter, which was already well-established in the 9th and 8th centuries B.C.E. when the Iliad and Odyssey were composed in this meter. [2] The Saturnian was used in Latin epics of the 3rd century B.C.E., but few examples remain and the meter is little ...
The ionic metre is occasionally found in Greek tragedies in appropriate settings, for example in Aeschylus's The Persians and in Euripides' The Bacchae. Ionic metres are rare in Latin. Horace Odes 3.12 is a rare example composed entirely in ionic feet, with ten feet to each stanza. Anacreontics are also very rare. [15]