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HPSCHD premiered before an audience of 6000 on May 16, 1969, at the Assembly Hall of Urbana Campus, University of Illinois. Conceived as a highly immersive multimedia experience, the performance featured David Tudor, Antoinette Vischer, William Brooks, Ronald Peters, Yūji Takahashi, Neely Bruce and Philip Corner playing harpsichords whose sounds were captured and amplified, 208 tapes playing ...
Grove [1] reference Händel-Gesellschaft reference Hallische Händel-Ausgabe reference Notes 1 Prelude: 107 xlviii, 149 The prelude did not appear in the first edition published by John Walsh [2] and was taken from Handel's keyboard suite HWV 428. HWV 561 is another version of the prelude. [citation needed] 2 Allemande: 108 ii, 81 iv/5, 29 3 ...
In 1959 he published The Harpsichord and Clavichord: an Introductory Study, with accurate and detailed analysis and descriptions of the instruments. Russell was an early advocate of a historically-informed approach to instrument-building, based on study of surviving historical examples, and a return to traditional methods of both performance ...
The Partita for keyboard No. 2 in C minor, BWV 826, is a suite of six movements written for the harpsichord by Johann Sebastian Bach. It was announced in 1727, [ 1 ] issued individually, and then published as Bach's Clavier-Übung I in 1731.
Figure 1: schematic view of a 2 × 8' single manual harpsichord. The keylever is a simple pivot, which rocks on a balance pin that passes through a hole drilled through the keylever. The jack is a thin, rectangular piece of wood that sits upright on the end of the keylever. The jacks are held in place by the registers. These are two long strips ...
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
The spinettone incorporated multiple choirs of strings, with a disposition of 1 × 8 ft, 1 × 4 ft, and used the same ingenious mechanism for changing stops that Cristofori had earlier used for his oval spinet. The spinettone was a local success among the musicians of the Medici court, [3] and Cristofori eventually built a total of four of them ...
Jean-Philippe Rameau, by Joseph Aved, 1728. The French Baroque composer Jean-Philippe Rameau wrote three books of Pièces de clavecin for the harpsichord.The first, Premier Livre de Pièces de Clavecin, was published in 1706; the second, Pièces de Clavessin, in 1724; and the third, Nouvelles Suites de Pièces de Clavecin, in 1726 or 1727.