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Renaissance are an English progressive rock band, ... In 1988, Sire issued a two-part compilation, Tales of 1001 Nights, focusing on the band's 1972–79 period.
[129] Michael James Lundell calls Il fiore "the most faithful adaptation, in its emphasis on sexuality, of The 1001 Nights in its oldest form". [130] Alif Laila (transl. One Thousand Nights; 1933) was a Hindi-language fantasy film based on One Thousand and One Nights from the early era of Indian cinema, directed by Balwant Bhatt and Shanti Dave. K.
"Mother Russia" is the closing song on Renaissance's 1974 album Turn of the Cards. It also appears on the 1976 live album Live at Carnegie Hall, the compilation Tales of 1001 Nights, Vol. 1, and several other Renaissance concert albums.
At the end of 1,001 nights, and 1,000 stories, Scheherazade finally told the king that she had no more tales to tell him. She summoned her three sons that she had bore him during the 1000 nights to come in before the king (one was a nursling, one was crawling, and one could walk) and she placed them in front of the king.
Ma'aruf the Cobbler and His Wife Fatimah (990–1001) Conclusion of Shahrazad and Shahryar; Also included in this volume Terminal Essay; Preliminary; I. The Origin of The Nights A. The Birthplace; B. The Date; C. [Authors] II. The Nights in Europe; III. The Matter and the Manner of The Nights A. The Matter; B. The Manner of The Nights; IV ...
1001 Nights, Representative of eastern literature (in Persian) "The Thousand-And-Second Tale of Scheherazade" by Edgar Allan Poe (Wikisource) Arabian Nights Six full-color plates of illustrations from the 1001 Nights which are in the public domain (in Arabic) The Tales in Arabic on Wikisource; Prince Ahmed and The Fairy.
John Payne - The Book of the Thousand Nights and One Night (unexpurgated) (1882–84) Edward Powys Mathers based on J. C. Mardrus in 4 volumes (1923) Malcolm C. Lyons and Ursula Lyons - The Arabian Nights: Tales of 1001 Nights published by Penguin Books based on the Macnaghten or Calcutta II edition (Egyptian recension) in 10 volumes (2008)
The suite "Song of Scheherazade", which occupies most of the album's running time, was originally conceived by Renaissance guitarist Michael Dunford as the score for a theatrical musical. He and bassist Jon Camp would work on the musical during lulls in their Renaissance songwriting sessions at Dunford's house in Windlesham. [3]