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Its parallel major, C-sharp major, is usually written instead as the enharmonic key of D-flat major, since C-sharp major’s key signature with seven sharps is not normally used. Its enharmonic equivalent, D-flat minor , having eight flats including the B , has a similar problem.
In Hungarian Rhapsody No. 6, Franz Liszt takes the unusual step of changing the key from D-flat major to C-sharp major near the start of the piece, and then back again to B-flat minor. Maurice Ravel selected C-sharp major as the tonic key of "Ondine" from his piano suite Gaspard de la nuit .
Its key signature consists of three flats. Its relative major is E ...
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
In music theory, a major scale and a minor scale that have the same starting note are called parallel keys and are said to be in a parallel relationship. [1] [2] For example, G major and G minor have the same tonic (G) but have different modes, so G minor is the parallel minor of G major.
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Key signatures can theoretically be extended through double flats or double sharps and beyond, but this is extremely rare. For example, the key of G ♯ major would have eight sharps, requiring six single sharps and an F double-sharp (F). The key of A ♭ major, with four flats, is enharmonically equivalent and would generally be used instead.