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Nancy Holt (April 5, 1938 – February 8, 2014) was an American artist most known for her public sculpture, installation art, concrete poetry, and land art. Throughout her career, Holt also produced works in other media, including film and photography.
Observing a model can also prompt the viewer to engage in behavior they already learned. [2] [3] Depending on whether people are rewarded or punished for their behavior and the outcome of the behavior, the observer may choose to replicate behavior modeled. Media provides models for a vast array of people in many different environmental settings.
In 2017 she was invited to be the first Executive Director of Holt/Smithson Foundation, [17] an artist-endowed foundation dedicated to the creative legacies of the artists Nancy Holt (1938-2014) and Robert Smithson (1938–73). [18] Holt/Smithson Foundation is a new model of artist-endowed foundation in this growing sector of the arts ecology.
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Another model to utilize in observational learning is a coping model, which would be a model demonstrating a physical skill that they have not yet mastered or achieved high performance in. [57] Both models are found to be effective and can be utilized depending on the what skills is trying to be demonstrated. [56]
Johanson's move from making objects to working with the natural world—first in drawings and later in actual commissions—has parallels as well as differences with the emergence of Earthworks by artists in her circle of friends, such as Robert Smithson and Nancy Holt. [18] The similarity is working large-scale with the land itself.
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It was the site of Alan Sonfist's Pool of Virgin Earth, a 25-foot-diameter (7.6 m) clay basin for catching aerial seeds, and projects by several women artists in the 1970s, including Michelle Stuart, Alice Adams and Agnes Denes and Nancy Holt. [10] It continued to be an important laboratory for outdoor sculpture, [11] [12] with over 200 artists ...